Since the 1970’s, middle-age society has claimed that metal music is for people who are wicked and mentally corrupt. They have persecuted such bands of the genre, such as Black Sabbath, Iron Maiden, and Pantera, for being responsible for some of the downfall of the youth, the worst of which resulted in suicide. The reasoning for such allegation is that youths who have committed suicide had listened to a form of metal in one way or another. The same reasoning was also held against such bands for the youth’s taste in clothing, such as the dark clothes or long, untamed hair. Believed to be “Satan’s music”, as middle-age society has perceived, metal music brings nothing but demonic sound, horrible lyrics, and the promotion of a lifestyle with no rules or morals.
Although middle-age society has been around for some time, their allegations, past and present, couldn’t be any more false. While there are some bands that have focused on demonic representation, society has to remember that it is the band’s form of public appeal. If a band is going to carry a name such as Slayer, it would not be fitting to see countryside meadow as their albu
m cover. For this reason, the band must come up with a suitable representation, and with a name like Slayer, the album cover will certainly be extreme. In addition to representation of the band, the look and sound will ‘make or break’ the reputation of the band, even if one has not been set. One cannot expect a band like Black Sabbath, to perform live wearing beach trunks and a flattop with acoustic guitars and a saxophone. As soon as the audience lays their eyes on this picture, the reputation and future of the band will have been obliterated. This is why bands with extreme names go to extreme measures, because it is their form of attracting and keeping an audience. And as long as this keeps attracting a crowd, mainly the youths (after 13 but before 40), this norm will be followed yet enhanced, as more and more bands are let out into the public stream.
m cover. For this reason, the band must come up with a suitable representation, and with a name like Slayer, the album cover will certainly be extreme. In addition to representation of the band, the look and sound will ‘make or break’ the reputation of the band, even if one has not been set. One cannot expect a band like Black Sabbath, to perform live wearing beach trunks and a flattop with acoustic guitars and a saxophone. As soon as the audience lays their eyes on this picture, the reputation and future of the band will have been obliterated. This is why bands with extreme names go to extreme measures, because it is their form of attracting and keeping an audience. And as long as this keeps attracting a crowd, mainly the youths (after 13 but before 40), this norm will be followed yet enhanced, as more and more bands are let out into the public stream.My own experience with metal music is completely opposite of middle-age s
ociety, as metal music is by far my favorite genre. I listen to all types of metal bands, both past and present; so it is no surprise that my favorite musical piece is “The Unforgiven” (in all three forms) by Metallica. The Unforgiven tells of a life that is not lived and as a result, regretted; "The song is about a man who never really takes advantage of certain situations, never really takes chances. Then, later on in his life, he regrets not having done anything with his life, so he dubs the rest of the world the 'unforgiven'." - James Hetfield (vocalist and rhythm guitarist of Metallica). This musical piece is a slow, somber type song yet carries a heavy drum and guitar throughout the song, as well as an everlasting guitar solo. The Unforgiven II tells of an all too common situation seen in the past and in present time; "Forgiving no one and ending up alone." –James Hetfield. This musical piece carries the same rhythm as The Unforgiven, but rather than being slow paced with a hard drumming and guitar, the song is very metal like but with a slow pace to it, a delectable blend when added to the song’s bone-chilling lyrics and guitar solo. Unlike its two previous forms, The Unforgiven III does not tell of a story, but a realization. The man perceived in the prior two songs has come to the conclusion that it is not the world who has not forgiven himself for his lack of living; it is he who has not forgiven himself. This musical piece is set at a median between its two previous forms, giving it the perfect mix of metal and pace, making this song and its lyrics the perfect closing for a particular man’s life lessons. Aside from this, The Unforgiven III opens up with a piano solo, setting a mood of a change in one’s life for the better. Songs such as these are often overshadowed by society which prevents anyone from knowing a bands potential, resulting in the band’s stereotype of “bad music”.
ociety, as metal music is by far my favorite genre. I listen to all types of metal bands, both past and present; so it is no surprise that my favorite musical piece is “The Unforgiven” (in all three forms) by Metallica. The Unforgiven tells of a life that is not lived and as a result, regretted; "The song is about a man who never really takes advantage of certain situations, never really takes chances. Then, later on in his life, he regrets not having done anything with his life, so he dubs the rest of the world the 'unforgiven'." - James Hetfield (vocalist and rhythm guitarist of Metallica). This musical piece is a slow, somber type song yet carries a heavy drum and guitar throughout the song, as well as an everlasting guitar solo. The Unforgiven II tells of an all too common situation seen in the past and in present time; "Forgiving no one and ending up alone." –James Hetfield. This musical piece carries the same rhythm as The Unforgiven, but rather than being slow paced with a hard drumming and guitar, the song is very metal like but with a slow pace to it, a delectable blend when added to the song’s bone-chilling lyrics and guitar solo. Unlike its two previous forms, The Unforgiven III does not tell of a story, but a realization. The man perceived in the prior two songs has come to the conclusion that it is not the world who has not forgiven himself for his lack of living; it is he who has not forgiven himself. This musical piece is set at a median between its two previous forms, giving it the perfect mix of metal and pace, making this song and its lyrics the perfect closing for a particular man’s life lessons. Aside from this, The Unforgiven III opens up with a piano solo, setting a mood of a change in one’s life for the better. Songs such as these are often overshadowed by society which prevents anyone from knowing a bands potential, resulting in the band’s stereotype of “bad music”.What I take from my experience with metal music is that it is not what middle-age society perceives it to be. Metal music is indeed an acquired taste, but one does not have to be possessed in order to acquire it. Studies have shown that there is no direct correlation between metal music, and music of any kind, and the human mind; providing a cemented defense for any allegations against metal bands. Yes, it has tendencies to be violent in sound and photo presentation, but this should not be interpreted as a negative stereotype for the particular band. On the contrary, studies have shown not only a lack of correlation between metal music and the human mind, but that it is therapeutic for energetic or angry teens; it actually has the ability to sooth an individual, as hard as it is for some to believe that. It is crucial that people remember that band presentation is not true; it is what they choose to follow to set them apart from other bands in order to ensure an audience. Without a proper presentation, a metal band will have no hopes of making it in the music world. 
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